Housebound
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound is a stereoscopic installation that uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.
From the archive — the earlier web page for this work
Housebound | 2008
Housebound is a stereoscopic installation that
uses motion stabilization and geometry recovery in order to place narrative text into the illusory depth of subjective hand-held camera shots. The stereoscopic depth of Housebound is of film-like resolution, shot with paired cameras streaming uncompressed hd video directly to two computers.
Housebound tells the story of a woman trying
reconstruct the eccentric thoughts of her deceased lover by “reading” the spaces of his now mostly vacant apartment. We gaze out his windows at the sky and at the bustling streets of upper Manhattan; we inspect his chair, his desk, and his bedframe; we scrutinize a light fixture and outlet, a sink and a stove-top, a drinking glass and a spoon, an intercom and a hallway.
The work was commissioned by Le Fresnoy:
Studio des arts contemporains, where it premiered in 2008. It was created by Downie, Eshkar, and Kaiser.